Wednesday, April 17, 2019

Wholly Images from an Edge

 Images from an Edge- Kefalonia
 

Pen in hand, trying to distill images,
diverted from across stone wall,
all encompassing Cerulean ocean,
demarcated by cloudless azure Ionian skies.
Blues  broken by one solitary pale green potted cactus
brought to housewarming three years ago.
Who brings a cactus as housewarming?
Dear Carlos did, transporting himself
and cactus from Portugal on a lark.
Or, better, on a wayward Kittiwake.

Carlos sits oblique to me at a cumbersome old hewn wood table,
molasses poured onto and soaking into a sunbleached canvas chair.
Canopied over dark sunglasses shadowing bushy brows and vamping eyes,
a frayed straw hat cools less than the Moschofilero quaffed all day
ameliorating the blistering Greek sun.
I  surreptitiously spy Carlo’s dick peeking out from the loose leg hole
of his stretched faded pink short shorts.  Studied?
Probably not, given his impetuous nature,
but enigma is reason enough why he, like the cactus , stay welcome-
permanent transplants here to Kefalonia.

Coming from a history of fine Duoro vines, Carlos is also appreciated
for never complaining about our copious Moschofilero.
I must not weave a withholden story
without disclosing Carlos often causes darkened azure skies
to populate with non celestial stars
additions to actual ones I see in furtive glances up
between his shoulders and bushy brows.
Even noctural sea breezes cannot quell that blaze.

Then, there is Talia.  She came with the villa,
lords over our gaggle of straw hats and ubiquitous  sunblock,
and takes prisoners with her ambrosial calamari salad
brought to frequent picnics at Myrtos Beach.
We rhapsodize over her salt baked sea bass that often
punctuates glorious sunsets soaked with still more Moschofilero.
Talia is lore of many island stories.  Her casual beauty and zaftig curves hide any
lines of life’s distress in her face.  Her smile comes easy but veils staunch empowerment.  Talia tempers her timbre with solemn pronouncement,
“There is no ‘why’! It’s because I said so.”

She endears with her ferociously focused Xeri game play
morphing composed woman to a “rape and pillage” 
martinet of startling animation and vocal range
when she is losing, suspects irregularity,
or has suckled without throttle on the Tsipouro Brandy.
Many nights Talia engages the table with her embellished
telling of younger times with randy Greek mariners.
Ears are scorched with her ribald tales.  Lobes are fastened to her tellings
She is my anchor and protector with her gentle love and stern hand.

Talia’s Mother Hyperia still keeps house on the island.
This  independent woman infrequently deigns to visit,
dressed entirely in black in her 17th year in mourning  her late fisherman husband Stavos.
Her visits are eagerly anticipated as she comes attached
to basket filled with Bobota and Dolmakadia.
 Hyperia eschews drinking alcohol, but in finding a full tumbler of Moschofilero
appearing at arms reach, she can orchestrate a stealthy disappearance from her glass.
Up to 9 times !

This sturdy woman is,  for unknown reason, taken to me.  I am greeted with lung exorcizing hugs, and big, nearly toothless smiles.  Carlos, however, gets just a stink eye.  Hyperia sits and stares at him and his every action as  though he was about to steal the flatware. Something akin to her Moschofilero disappearances, this affectation resides in the woman herself.  When happening a visit to the old woman’s cottage, there is nary ever an appearance of a single purloined fork or spoon, so we are at loss as to where the pieces go.  Talia figures she melts them down to spearheads for when Turks ever attack the island.

Hyperia and Talia mostly get caught up talking  in Greek , but quietly.
Her very thunderous operatic tenor voice is reserved to responses in our discussions of religion.
The word “Turkish” seems to elicit a particularly saliva laden response.
But we adjust to Hyperia,  and she is a fixture much as a comfortable sofa ,
noting that sofas have no aptitude for baskets of goodies.

This daily core cadre is sporadically seasoned with mainland friends.
They come and shatter idyll with their chatter on worldly matters,
matters that often bring fanciful evenings to a halt in resolute silence,
a sobriety in gratitude for the  monotony of bliss we marinate in.
We shy from loading up with too many outworldly parcels so difficult to hold and balance.

The resident three disdain feeling threatened.
Salvation is in not existing a time that Carlos nor Talia, nor the Moschofilero and Calamari salad, even dear Mána,  or our immigrant cactus, allows me to sink into a slough of despond.  Nary a regret that I lounge linger here, isolated
and disconnected in Ionian revel, and the comfort of continuity .
Leaving no undarned holes to fall through- this pen leaves you images why.
While Carlos and Talia bid you, Γεια σας από τον παράδεισο
(Hello from paradise)




- Dedicated to Doris "Magnolia" Stanek with love, on her being a cancer survivor at a gathering of our clan July 28,2019

Wednesday, April 10, 2019

Images from the Edge Inkhole, PinkHole, & Sinkhole


Images from the Edge
  Inkhole, PinkHole, & Sinkhole




Pen in hand, trying to distill images,
diverted from across stone wall,
all encompassing Cerulean ocean,
demarcated by cloudless azure Ionian skies.
Blues  broken by one solitary pale green potted cactus
brought to housewarming three years ago.

Who brings a cactus as housewarming?
Dear Carlos did, transporting himself
and cactus from Portugal on a lark.
Or, better, on a wayward Kittiwake.

Carlos sits oblique to me at a cumbersome old hewn wood table,
molasses poured onto and soaking into a sunbleached canvas chair.
Canopied over dark sunglasses shadowing bushy brows and vamping eyes,
his frayed straw hat cools less than the Moschofilero quaffed all day
ameliorate the blistering Greek sun.

I  surreptitiously spy Carlo’s dick peeking out from the loose leg hole
of his stretched faded pink short shorts.  Studied?
Probably not, given his impetuous nature,
but enigma is reason enough why he, like the cactus ,stay welcome-
permanent transplants here to Kefalonia.

Coming from a history of Duoro vines, Carlos is also appreciated
for never complaining about our copious Moschofilero.
I must not weave a withholden story
without disclosing Carlos often causes darkened azure skies
to populate with non celestial stars added to actual ones
 I see  as furtive glances up between his shoulders and bushy brows.
Even noctural sea breezes cannot quell that blaze.

Then, there is Talia.  She came with the villa,
lords over our gaggle of straw hats and ubiquitous  sunblock
and takes prisoners with her ambrosial calamari salad
brought to frequent picnics at Myrtos Beach.
We rhapsodize over her salt baked sea bass that often
punctuates glorious sunsets soaked with still more Moschofilero.

Talia is lore of many island stories.  Her casual beauty and zaftig curves hide any
lines of life’s distress in her face.  Her smile comes easy but veils  staunch empowerment.  Talia tempers her timbre with solemn pronouncement,
“There is no ‘why’! It’s because I said so.”

She endears with her ferociously focused Xeri game play
morphing composed woman to a “rape and pillage” 
martinet of startling animation and vocal range
when she is losing, suspects irregularity,
or has suckled without throttle on the Tsipouro Brandy.

Many nights Talia engages the table with her embellished
telling of younger times with randy Greek mariners.
Ears are scorched with her ribald tales.
She is my anchor and protector with her gentle love and stern hand.

This daily core cadre is oft seasoned with mainland friends.
They come and shatter idyll with their worldly matters,
matters that often bring fanciful evenings to resolute silence,
our sobriety in gratitude for the  monotony of bliss we marinate in.
We shy from loading up with too many outworldly parcels to hold and balance.
The resident three eschew feeling threatened.

But, there is not a time that Carlos nor Talia, nor the Moschofilero and Calamari salad, or even the immigrant cactus, allow me to sink into a slough of despond.
Nary a regret that I lounge linger here, isolated
and disconnected in Ionian revel, and the comfort of continuity .
Leaving no undarned holes to fall through- this pen leaves you images why.
While Carlos and Talia bid you, Γεια σας από τον παράδεισο
(Hello from paradise)

Wednesday, April 03, 2019

Celebrate Life

Celebrate Life
a perspective on occasion of Doris Day's 97th birthday, April 3 2019


A small piece of Titanium fell off the left main gear door of Southwest tail number N236WN a 737 700 upon take off  bound for Dallas .  It fell ind bounced on Atlanta Heartsfield Airport Runway 25 L in such a way a flange protruded up in  an angle that the following take off in line, Delta flight# 70, tail  N859NW , a Airbus A330-200 bound for Amsterdam caught it on the right side tire, slashing it and causing such a blowout that the aircraft, already at 90 mph nearing rotation speed, swerved so fast the pilots cound not correct.  Thatplane dipped to the right and the right wind caught the tarmac and the plane flipped over in a roll.  With a full level of fuel, the tank burst and sparks igniting  the plane into a fireball. 
253 onboard 189 survived.  Net loss 64.


April 4, 2017, Syrian Air Force Sukhoi Su-22 fixed-wing aircraft flew above the town of  Khan Sheikhoun in north-western Syria.  At 6:45 a bomb dropped from it exploded on top of a central building emitting a yellow cloud .  Residents waking up breathed the expanding cloud and immediately had respiratory distress.  It was a chemical attack using Sarin , a nerve gas originally developed in Germany in 1938 as a pesticide . A report concluded that the Syrian government had manufactured the Sarin because the process of synthesizing the nerve agent developed by the Syrian Scientific Studies and Research Centre (SSRC) and employed by the Syrian armed forces and security services involved unique use of hexamine as a stabilizer. DIMP was also known as a by-product generated by this process, it added.  This tag was positive identifier that President Bashar al-Assad had ordered this attack on his own people.  630 townspeople were injured .  541 survived .  Net death 89

June 12, 2016 was Latin Night at a Orlando nightclub.  At 2am the club had last call.  Omar Mateen entered and using  SIG Sauer MCX[8] semi-automatic rifle and a 9mm Glock 17 semi-automatic pistol, sprayed  the club with bullets hitting many of the about 320 inside.  102 were wounded with 53 surviving .  Loss that night at the Pulse gay nightclub was 49 lives including Mateen.

On December 26, 2004 a fault between the Burma Plate and the Indian Plate off the cost of sumatra generated a 9.1 magnitide earthquake causing a tsunami in the Indian Ocean.  Residents of Banda Aceh, Indonesia, a city with a population of about 300,000 inhabitants before the tsunami were asleep and had no warning when waves hit the town. The majority of the casualties were in the city. More than 31,000 people wereconfirmed killed in the capital.  In the Indian Ocean basin, the tsuname overall claimed lives of people in 14 countries.  Net loss 227,898 

What is the take away from knowing this mortality tally?   Seemingly, All is chaos, defying order. 

Perhaps if there is an answer it might be in this song ,echoing in my head -

When I was just a little girl
I asked my mother, what will I be
Will I be pretty ?
Will I be rich?
Here's what she said to me
Que será, será
Whatever will be, will be
The future's not ours to see
Que será, será
What will be, will be


When I grew up and fell in love
I asked my sweetheart, what lies ahead
Will we have rainbows
Day after day?
Here's what my sweetheart said
Que será, será
Whatever will be, will be
The future's not ours to see
Que será, será
What will be, will be


Now I have children of my own
They ask their mother, what will I be
Will I be handsome?
Will I be rich?
I tell them tenderly
Que será, será
Whatever will be, will be
The future's not ours to see

Que será, será

What will be, will be
Que será, será.


Happy Birthday Doris



-1956 Columbia Records by Jay Livingston and Ray Evans
Happy Birthday Doris Day April 3 1939, still very much alive

Doris Day popularized the song Que será, será, singing it in the Alfred Hitchcock film “The Man Who Know Too Much” in 1956
-Jerry Wendt  April 3 2019


Note: The aircraft incident is fictional based on a collection from real incidents.
All other incidents are historically an
d factually true